Archive for James Gandolfini

THE DROP :: DRAMA :: 049

Posted in Crime, Drama, Thriller with tags , , , , , , , , , , , , on 04/01/2018 by joycereview

The Drop (2014)

It’s been a while since I’ve watched a crime drama, and since the wife was out of town and I had a night to watch it, I gave it a go. I was fairly surprised that this movie didn’t get a great deal of buzz, but I think many of you will be presently surprised. Known primarily as James Gandolfini’s last movie, The Drop is a slow-paced drama with a great deal of substance, especially Tom Hardy that comes across as a young Marlon Brando. Though Tom’s character Bob Saginowski is a “not too bright” bartender, there is a lot that he DOES know… and his “coolness” in the film is just as “gangster” as the Chechen bosses that now run Cousin Marv’s Bar.

The pacing was a little slow for my taste, but it definitely didn’t lose my interest – don’t get me wrong! This was a terrific job by director Michaël R Roskam and the entire cast. Because of the puppy as an strong piece of the story, I think I can easily compel the wife to give it a watch.

Keep in mind that since this wasn’t a blockbuster and it’s 4 years old now, so you can probably buy it for as little as $3… which is close to what I found it for.




Follow me on Instagram at @chencenter and get the review FIRST on every 3rd picture. If there is something you’d like me to review, send me a line!




Posted in Drama, Fantasy with tags , , , , , , , , , , , , , , , , , on 03/12/2010 by joycereview

Spike Jonzes’ cinematic version of the popular book, Where The Wild Things Are by Maurice Sendak, walks a fine line but holds a tightrope walker’s focus throughout.

Where The Wild Things Are (besides Dr. Seuss’ The Lorax) was my favorite book growing up.

Max, like myself as a youngster (and millions of kids the world over) uses his imagination to lift himself far away from his struggles.

Young Max is played by Max Records (The Brothers Bloom) and assumes the role with great depth and vulnerability.  Each expression on his face perfectly depicts the confusion, disappointment, jubilation, or whathaveyou, of a kid trying to find his place in the world, beit reality or amongst the creatures of his imagination.

The Wild Things are: Carrol (James Gandolfini), Alexander (Paul Dano), Judith (Catherine O’Hara), Douglas (Chris Cooper) and Ira (Forest Whitaker).

For those that know and love the book (as I, a child of the late 70s did), Where The Wild Things Are (the cinematic version) produces its own, leisurely paced addaptation of the 300-some-word children’s classic.  Jonze and Eggers give, in cinematic terms, exactly what Sendak was able to do in words and illustrations… and although the film may feel too “drawn out” for a full-length feature film (and you may be right), the situations, all from the point-of-view of 9-year old Max allows you to relive, (for me, drawing from my own childhood) and relate to the child within.

What did you think about the picture?

Give your thoughts below and…

Let the wild rumpus begin!


Posted in Action with tags , , , , , on 11/09/2009 by joycereview

5beartaking_of_pelham123Tony Scott had me at hello.  But here we are, halfway in our conversation and I want to say [as I look down at my watchless wrist], “Jeepers! Would you look at the time.  I’m late for a thing.”  Top Gun was the first R-rated movie that my parents let me see.  I got to see fighter jets and I was introduced to the french kiss.  Four years later, he even momentarily smoothed over my distain for Nascar racing when he made Days of Thunder.  At the age of 65, he’s still at the top of his game when it comes to blowing back our hair with sheer, unadulterated speed.  I always knew that I could turn to Tony Scott when I felt, “The need for speed”… and apparently he can even do it with trains.

The Taking of Pelham 123, is a remake of the 1974 film of the same name (alternate spelling; One Two Three) and features two of Hollywood’s premier actors, John Travolta and Denzel Washington.  Denzel plays Walter Garber, a MTA dispatcher assigned to Railway Control when train Pelham 123 is hijacked by a man calling himself Ryder (Travolta).  Ryder demands $10 million (in 100 dollar bills) within an hour, and tells Garber that he’ll kill a passanger each minute that they are late.

This film shows clearly that the making a movie is a team effort and can’t rest on the abilities of one Mr. Tony Scott.  He was, however, a very naughty boy in allowing such unneeded and unrealistic crash scenes.  You’d think that the NYPD would be much more careful in its transportation of $10 million greenbacks.  And I thought the streets were closed down?  New York’s “finest” still managed to crash 3 times, with the final wreck coming from an ambulance no doubt… that t-bones the speeding prowler and knocks it so hard that it can no longer conform to the rules of physics and gravity… they tumble, log-roll-fashion through the intersection, off a bridge, landing on an underpass to be met by on-coming traffic.  Ouch.

As much as I like Travolta and Washington, they weren’t right for this movie (at least this script).  Denzel can be a tremendous force if given the right role (ex. Glory), but here we get apple sauce when we asked for curly fries.  Travolta spends most of the movie acting tyrannical and forcefully authoritative.  But I don’t know if it’s just me, but I can sometimes tell (without even listening to them) if they are a true-blooded bad ass.   Travolta is Danny Zuko, Tony Manero, and Vincent Vega.  Now Harvey Keitel, or Samuel L. Jackson; either one of these would have made a much better Ryder.

Oh yeah, and when an Army Ranger has the guts to step in front of a madman with a gun, just to get shot, he should have the guts to try and take the gun from the lunatic’s hand, methinks.  All in all, good action and soundtrack… no depth or real substance.  Strongly mediocre.  Your thoughts?