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FAR NORTH Review :: DRAMA :: 067

Posted in Crime, Drama with tags , , , , , , , , , on 07/17/2018 by joycereview

Far North (2007)

Asif Kapadia’s film Far North (2007) was an interesting watch to say the least. The story is a unique one and (filmed in Norway) provided a setting and culture that many haven’t seen on the silver screen. When you pick up this title you’ll see that it’s a crime drama… therefore you know that something sinister happens on the ice, but what exactly, you’re not likely to guess.

PLOT
The plot of this story involves two women, Saiva (Michelle Yeoh) and Anja (Michelle Krusiec) living, presumably in the Arctic region of the Soviet Union (date unknown). Saiva finds a soldier named Loki (Sean Bean) frozen and near death. Their simple life is altered dramatically after this event.

THE REVIEW
One thing that you are able to recognize right away is that this isn’t your typical Hollywood film. And though this is something I typically enjoy, the pace was a bit slow and the information restrictive. While you learn that a shaman warned Saiva that harm will come to those around her, you learn little else – and nothing about Anja. You also learn next to nothing about Loki, which you think would have come up during long, cold nights.

While the movie was enjoyable, my main gripe is that there could have been more to the story and a lot more that you could have learned from the characters. Even the ending just drops off without a sense of closure. You might be wondering why I’d give this film a seven – relatively high mark for a film I have such a deep gripe about? The answer for this is that while there is a lot more that could have been added, deepening the story, there really isn’t anything else to see fault in.

Well…. one more… but that would be giving away a major spoiler. You’ll just have to see it for yourself!

Let us know what you thought of it in the comments.

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CABIN FEVER REVIEW :: HORROR :: 064

Posted in Comedy, Horror with tags , , , , , , , , , , , , on 06/29/2018 by joycereview

Cabin Fever (2002)

This review is not so simple to make. To movie critics, it is my opinion that this genre, “horror-comedy”, is the most troublesome to dissect. Take for example the amazing and hysterical, Cabin In The Woods (2012)- clearly a comedy. Evil Dead (1981) and Evil Dead 2 (1987) were horror films that introduced audiences to the not-so-serious, “campy” horror flick that some people try to successfully make. Obviously when juggling the weight of two genres, you may miss on both fronts.

Plot
A group of five college graduates; Paul (Rider Strong), Karen (Jordan Ladd), Marcy (Cerina Vincent), Jeff (Joey Kern) and Bert (James DeBello) rent a cabin in the woods and things go south when they begin to fall victim to a flesh-eating virus.

Eli Roth’s Cabin Fever (2002), now a cult classic, is certainly a film I enjoyed elements of and while some scenes and acting were cringe-worthy, it often feels like many of these were on purpose. Can you fault something performed or delivered poorly if it’s done on purpose? (See, The Room)

For instance, some of the dialogue is so bad it’s good. As a teenager in the 90s, the time period that this story takes place in, it paints a very realistic picture of the way kids talk.

Paul: “Why would you want to kill squirrels?”
Bert: “cus’ they’re gay.”
Karen: “Bert, don’t be a $&#ing retard.”

Sex…
Thank you Eli Roth and Cerina Vincent for adding the two sex scenes and the bath scene that are quite the stable of horror movies. And quite realistic too! Not only would this be what would really happen, but is what attracts many teenage horror fans – let’s be honest. As chauvinistic as it is, the “the nude girl” is kind of a staple and the “treat” to the viewer’s “trick or treat” night. Some people would learn from this… like Michael Bay walking away from Friday the 13th (2009) because there was “too much sex.” BTW, thank you (Winston-Salem native) Julianna Guill!

Gas Station scenes…
Perhaps the clichés of all clichés in the horror genre (besides teenagers in the woods) would have to be an eerie gas station stop. This movie was no exception and one of the highlights of the film. I won’t spoil it for you here… but watch for it!

In any respect, Cabin Fever is beloved by many, especially “splatter” B-film lovers. Director Peter Jackson liked it so much that he held three showings for his crew while filming Lord of The Rings. While it would be fun to watch with a group of friends, I doubt I’d watch it more than once. However, would I add it to my list of must-own horror flicks … this, most definitely!

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________________________________________________________________________________________________________________________Be sure to follow me on Instagram, as every 3rd picture will feature a brand new Joyce Review. Also, let me know in the comment section if there is a particular film you’d like me to review. But first… let me know what you thought of Cabin Fever (2002)

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GAME NIGHT :: COMEDY :: 061

Posted in Comedy, Crime with tags , , , , , , , , , , , on 06/14/2018 by joycereview

Game Night (2018)

“Tonight we’re going to take came night up a notch.”

-Brooks

Max (Jason Bateman) and Annie (Rachel McAdams) are a couple that came together over their love of games. Now, years later, they host game night parties with their fun (and often hysterical) group of friends. On one particular night, Max’s older brother Brooks (played by Kyle Chandler) joins them and, like he always does, goes above and beyond the norm. However, everything goes wrong when his mock hostage situation goes array.
There is so much to like about this movie! Jason Bateman is… Jason Bateman, but who doesn’t love him? Rachel McAdams plays his wife and does so with great zest. It seriously looks like she’s never had more fun making a movie in her life. The one-upper, older brother Brooks is played by Kyle Chander of Friday Night Lights and Bloodline fame. Both he and Rachel hold their own in these comedic roles.


Lamorne Morris of New Girl, plays friend Kevin and gives a stellar performance in every scene he’s a part of. Unsuspectingly though, many of the heartiest laughs come because of Max and Annie’s creepy cop neighbor Gary (Jesse Plemons). Sometimes mistaken (before he made more of a name for himself) as Matt Damon’s twin (they are not related), Jesse has continued to impress the wife and I in all that he’s done (Black Mass, Hostiles, Bridge of Spies, and Friday Night Lights, etc). As an interesting note, he got engaged to actress Kirsten Dunst just last year (2017).While this is in no way a perfect comedy, it is highly entertaining, well-paced and written (Mark Perez). You can also add well-directed as Horrible Bosses (2011) director/actor/writer John Francis Daly adds to his list of achievements. John, one of the main stars of the cult classic Freaks and Geeks, does a great job behind the camera as well. John’s cameo as at the beginning of the film as the tavern’s Game Night questioner that asks the question “What’s the name of the purple teletubby?” … To which they answer together in unison, “Tinky Winky!” And the love connection was made!

There IS one cameo that would possibly be a spoiler if I mentioned it here – so please don’t go searching for it (unless you don’t care for surprises). In the film he goes by the name of The Bulgarian.

Let us know what you thought of Game Night?

How was our ranking? On point? Or way off? If so, why?

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THE HALLOW :: HORROR :: 056

Posted in Fantasy, Foreign, Horror with tags , , , , , , , , , , , , , , , on 05/11/2018 by joycereview

The Hallow (2015)
I enjoy hearing the Irish accent, and am a fan of Michael McElhatton (playing Mr. Donnelly), not to mention that many of us Joyces came from the area of filming, Galway, Ireland. So when I saw the trailer that featured these major checkmarks… I was intrigued to say the least.

Acknowledging that fairy tales ARE basic “OG” horror, you have to wonder why it hasn’t been played up more than it has. You can comb the many books of folklore and mythology and you’ll find many illustrations of fairies, ghosts and banshees… that any creature creator might be able to turn into screen gold. However, what we get is simple grotesque gollums – that are clearly actors in suits. Though I am NOT against actors in suits, I believe that any suit should be made to distort the image of human proportions. The Hallow did not succeed in this arena.

I also don’t mind the many horror clichés if they are well-done and able to scare, shock, or create uneasiness. The Hallow, again, fell short of this mark.

Starting with the main characters, Adam (Joseph Mawle) and Clare (Bojana Novakovic)…[and baby], you get an image of a young couple who move into a rural cottage whereby the neighbor warns them (again) about the fact that they shouldn’t be there. Obviously they don’t heed the warning – even after several strange findings by Adam. When will these guys ever learn?

But again, it’s not the cliché, but the lack of background, the lack of character intelligence and chemistry. Without giving too much away,… if you are hiking with your newborn, would you lean close to a rotting animal carcass? If your significant other gets hurt… let’s say, he or she falls or gets something in their eye, would you show not only concern but major concern (seeing as though your survival might just rely on each other)?

There are a lot of people that say that director Corin Hardy is the up-and-coming horror guy. With this being his first feature film, I’m going to give him a pass. I have no idea what type of budget he had on this film and it certainly wasn’t the worst movie I’ve seen. It just wasn’t for me, nor my wife (who also gave it a 3). IMDB users give it an average currently of 5.7.

If you’ve seen it, what did you think of it?

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AVATAR :: SCI-FI :: 033

Posted in Action, Fantasy, Sci-Fi with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on 01/12/2010 by joycereview

Alien worlds fascinates me.  They always have.  Pandora is the closest we’ve been able to get to that world cinematically.  Jim Cameron’s vision delighted me on all levels and was perhaps, the most fun that I’ve had in the theaters wearing dorky 3d glasses.

It’s obvious through his films that the mind of Cameron is a colossal wonderland, full of floating islands, 6-legged horses, brightly-colored pterodactyls, and the blue-skinned, golden-eyed Na’vi.  At least this was the latest of Cameron’s dreams to be shared with us…  a dream tucked away for more than a decade.  In 2005, he revisited the script and agreed that it was time.  What emerged? You’ll have to see it to believe it!

THE BEAR BONES

Following the death of his twin brother, a paraplegic marine named Jake Sully (Sam Worthington; Terminator Salvation), steps into a unique position to continue his brother’s project and travel to the amazing world of Pandora.  The mission is for Scully to inhabit a lab-grown-replica body (known as an “Avatar”) of both his twin and of the Pandorian race known as the Na’vi and to infiltrate the tribe and negotiate an exodus, away from an area rich in an Earth-rescuing mineral known as “unobtanium.”  Trigger-happy Colonel Quaritch (Stephen Lang) strikes a deal with Sully to gather intel on the Na’vi in return for post-mission spinal surgery.  Cheif Administrator Parker Selfridge (Giovanni Ribisi) wants diplomacy (only because it looks better), and scientist Dr. Grace Augustine (Sigourney Weaver, Aliens) wants to truly understand the biology and hidden mysteries of Pandora.  As the Avatar, Jake Sully forms a bond with the Na’vi and must make his choice;  stand with his new family, or help the human race blunder Pandoria’s most precious resource.

As a movie-loving public, we’ve seen literally hundreds of movies.  In my case, (and as so many others film-nuts) we’ve seen thousands.  Themes and scenes, especially the good ones, always stand out.  It was apparent to in this film that connections can be made with the following: Dances with Wolves, Last of the Mohicans, The Last Samurai, and even Braveheart.  The world of Pandora was a cross between the amazon rainforest and a coral reef.  The Na’vi were a cross between native american indians (I don’t mean to lump you all together) and african tribes.  The “horses” a cross between a seahorse, and a regular horse – add a pair of legs.  The flying creatures of Pandora were pterodactyls with the head of a savannah monitor.  But the question we must ask ourselves is “does our knowledge of these traits/similarities take away from the film?”  The answer is “no friggin’ way.”

It was explained to me a long time ago, that there is very little in the world that we would fail to assign complete uniqueness to.  To this theory, I agree.  Many years ago, when phones were the size of a Tom Clancy hardback we watched in awe as Kirk and Spock had what looked to be my first Motorola flip-top cellphone.  That debuted in 1966!  From then on we become desensitized to technology and even of artistic creations (to some point).  Had Cameron and his visual artists created creatures, machines and contraptions without a likeness to images of our time, our minds would be quite likely to reject it.  For Avatar, a thin line had to be threaded in order to lock our collective minds into a state of belief and wonderment.  Cameron performed like a surgical Annie Oakley due to his experience, years in film and the fact that his body is made of 60%water and 40% of awesome!

Do you want to know why there are no more Jim Cameron’s in the world?  I’ll tell you why!  Answer:  Because he’s a nerdy woman in the body of a good-looking man.  He’s a tree-hugging, technology-embracing, liberal – not just for alien rights but for universal equality.  It’s a widely-known fact that most powerful men place other powerful men as heroic characters in their stories.  Cameron simply changes the gender and leaves the balls.  Sigourney became the first of Hollywood’s top heroines by way of her role in Alien, and as if she were acquiring more balls along the way, Aliens (the sequel).  Aliens even had Jenette Goldstein playing the toughest female marine in cinema history as Lt. Vasquez.  (Note the enormous similarity of Goldstein to Avatar’s Michelle Rodriquez)  … Linda Hamilton as Sarah Connor in both Terminator 1 & 2.  (She was so bad-ass in T2, that Jim married her!) Even Kate Winslet’s role in Titanic can be seen as unsteriotypically masculine… just in the bold, strong, take charge way… not in the “I bust a cap in alien asses”-type way (obviously!).  Now… we have Zoe Saldana (Star Trek), playing Neytiri, the warrior princess of the Omaticaya Clan.  Blue, fierce and dead sexy!  I remember as a kid I had a crush on Betty Rubble of the Flintstones (yes, the cartoon version), but if the 10 year old in me where to react hormonally (after seeing Neytiri) he’d run out into the woods, risking an arrow of neurotoxic death.

Before viewing Avatar, I had (and still have) some reservations on the use of CGI.  Call me old-school (again), but motion capturing, CGI and the lot can never truly portray what an actor or actress can do.  Recreation is not creation.  CGI gives control and is cost effective but can only be a reflection and a refraction of what a performer creates.  E.T. was more-or-less a sock puppet, but was as real to me today as it was when I was a kid.  The creations of Avatar will always stay with me.  Not just because Earth is “played out” and I want to move to Pandora, but because the CGI realism of Avatar finally hit the mark of believability.  What is key is that we put this technology in the hands of skilled samurai (i.e. James Cameron, Peter Jackson) and not in baby, knife-wielding hacks (i.e. Michael Bay).

I agree 95.8% with my fellow critic, Colin (read his Avatar review at: Cineaste John) when he says,

“I felt like I was on the same emotional journey as Jake Sully.  I felt for the Na’vi.  I felt for Hometree and the Omaticaya.  I felt that the true struggle for Jake Sully, a born-and-bread Marine, suddenly feeling like everything he once knew and was trained to be was savage and inhumane.  Avatar was everything I’d hoped it to be and more.”

It wasn’t a far leap for me (being skinny, tall and good-looking in blue)… but Avatar will always be a film that I feel connected to – for its messages of environmental responsibility, diplomacy, and the fact that it’s far less cool to be human.  At least we can dream.  For the less and unimaginative folk, Cameron holds us up to the viewfinder… and what an awe-inspiring view it is.

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FOUR CHRISTMASES :: COMEDY :: 029

Posted in Comedy, Drama, romance with tags , , , , , , , , , , , , , , , , , , , , , , on 12/25/2009 by joycereview

It’s Christmas Eve… Santa’s probably airborne (he usually gets an early start) and come Christmas morning, everyone should have something in their stocking.  Now, if I were one of those “snippy” critics, I would reference here that those that worked on this movie shouldn’t expect Santa’s good graces.

Let me say from the start, that I have a fondness for Vince Vaughn.  Truth-be-told, I didn’t like him in the beginning; not because he was a bad actor or anything, but because he seemed like a bit of a wise-guy.  One of those guys that always had a witty come-back and who you’d wish would just be “normal” for once.  But he’s someone that has really grown on me, and has turned into someone I look forward to seeing time and time again.  If it weren’t for him, this movie would barely make a track!  Four Christmas barely comes across with 5.

Here’s the “bear” bones-

Brad (Vince Vaugn) and Kate (Reese Witherspoon) look to be the modern version of the perfect couple; lovingly self-centered, but getting all that they want from their relationship (for now).  Under the ruse of charity work, Brad and Kate escape the family obligations and the ensuing stress of the holidays by flying to Fiji; only to discover that the flight is cancelled due to heavy fog.  To make matters worse, a tv reporter and camera shows up and exposes their failed getaway.  Four Christmases in one day can be trying for anybody, but with Brad and Kate, the secrets, humiliations and the physical abuse might more than their relationship can handle.

When watching this movie, I kinda wished I had a lower I.Q. just for the fact that it would have boosted my enjoyment of it.  While it certainly had its fun moments (which was inevitably caused by Vaughn’s comic leadership), and gave us the split family dynamic rather than just the one, crazy household, it sank on the basis of character.

Comedy works best when the laughs are allowed to well up from within the material, the situation, and/or the nature of the character.  It isn’t a 10-year old child ,with his boney fist posed at your defenseless face, asking “What’s my name bitch?” that makes the scene funny- it’s the reaction of Vince Vaughn, who undoubtedly channels his emotions from the “near rape” scene from Wedding Crashers, and who’s pitched pleads of mercy are both hilarious and real.  If it weren’t for Vaughn’s brilliance, that scene would have been completely wasted on me.  The supporting cast, however, if not saved by or made funny by Vaughn, falls silent.  Reese Witherspoon did a decent job, even though her wrestle-mania in the “jump jump cage” was a immature and needy.

Screen legends Sissy Spacek, Bobby Duvall and Jon Voight provided a bit more (name) weight to the film, but only propped up it’s status to a movie like,  Meet the Fockers. One line from Duvall (who played Brad’s biological dad), was quite side-ripping though;

Boys, I don’t want to speak ill of your mother on Christmass, but she’s nothing but a common street whore.

I long for a Christmas movie that will take the place of my beloved National Lampoon’s Christmas Vacation, but I’ve yet to find it.  Vaughn could be my next Chevy, if only he had his Eddie… and Jon Favreau, you’re not him.  Owen Wilson is a terrific comedic partner but we’ll just have to see what the future holds.  For me, something like that would surely make my Christmas wish list!