UNSANE Review :: HORROR :: 073

Unsane (2018)
Steven Soderbergh’s first horror/thriller film covered some new territory, but it could have been much better. Filmed entirely on an iPhone 7 Plus and shot in only 10 days, it gave plenty room for error. Though conceptually interesting, the movie occasionally crossed from interesting to unbelievable. And though it was done quickly, with a low budget of $1.2 million (according to The Times, UK), and done using an iPhone app called FiLMic Pro… a question arises of “was that really necessary?”

THE PLOT
This is the story of a woman named Sawyer Valentini (played by The Crown’s Claire Foy) who is involuntarily admitted to a psychiatric ward following a seamlessly standard and uneventful counseling session. While detained, something else emerges, but is it real or just on her head?

As you may agree, the story is quite unique and interesting. Problems with the film arise quickly however as the the psychiatric protocol, setting, living space, behavior penalties, security, et cetera are elements that are just not based in reality.

The rush that the cast must have been under played a role in its mediocrity, however the story by Jonathan Bernstein and James Greer (and an extremely poor ending in my opinion) was the major downfall. Claire Foy, an English actress performed great at times, but her American accent was weak and her character’s actions were questionable at times. Claire shared the screen with: Joshua Leonard, Jay Pharaoh, Juno Temple and Amy Irving – all of which did a decent job.

Again, I feel like the story could have been much better and because of this, it’s a far cry from winning any awards. This does not stop me from wanting to see Claire Foy! As accent/dialect coach Erik Singer has said, most of the time when actors or actresses aren’t able to quite “pull it off”, it’s due to not enough rehearsal/preparation time. I don’t know the specifics but I can surely guess this is the reason.

What did you think of this one?

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TRAILER : 

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A note from Dialect Coach:

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CHE :: FOREIGN :: 032

After seeing the film, The Motorcycle Dairies, I knew I had to learn more about the man, the humanitarian, the revolutionary, Ernesto “Che” Guevara.

Steven Soderbergh’s Che (initially split into Che: The Argentine and Che: Guerrilla) is a beautiful, yet somewhat laboring look (pt 1= 134 minutes; pt. 2= 135 minutes) at the asthmatic doctor who fought so hard for the “miserable and alienated” and who becomes not only Latin America’s most legendary revolutionary leader but also one of the most iconic faces for freedom and liberty the world over.

Che is played by Benicio Del Toro with a searing elegance and believability that won him the Best Actor Award at the 2008 Cannes Film Festival.  Fidel Castro, played by Demian Bichir, was a revelation to watch, and (I felt) the Chilean sensation, Santiago Cabrera fit the role of loyal Comandante Camilo Cienfuegos most perfecto!

The entire movie was filmed like a window into the past.  The action was gritty, emotional and in-your-face.  The dialogue throughout the entire will was approximately 98% Spanish and besides a few notables (Franka Potente and Matt Damion), nearly the entire cast of the film was hispanic.

A BEAR OF A QUOTE

At the risk of seeming ridiculous, let me say that the true revolutionary is guided by a great feeling of love.  It is impossible to think of a genuine revolutionary lacking this quality.

If I am to be as honest as my nature compels me to be, I’d have to say that Che is on my list as one of the Top 5 films of 2008-2009.  The only noticeable flaw (if you know history) is that Che was of average height 5’9 (quite perfect for a guerilla soldier) and no where near the 6 foot 3 inch-sasquatch-ness of Del Toro.  So although Benicio could channel the spirit and essence of the ‘Che’, somehow, and quite disappointingly, he couldn’t make himself smaller.

The next blunder comes when Soderbergh gives us over 4 hours of action, history, and brilliant acting.  I mean, who wants to attach their phat fannies to the sofas for that length of time?  Well… I did.  And I’m sure there are lots of history buffs and Leftists out there that would too.  Not-to-mention the godless communist scum* that I’m sure still need someone to look up to (even though all of this took place half a century ago).

Okay, if I had to pick one truly sour point in the film… which was no big deal really… it was that each part (remember, the movie was split into Che’s time in Cuba [part uno] and in Bolivia [part dos]) began with a map of the country – slowly highlighting the different regions and names of the cities and towns.  If they had used a more photographic and stylish image, perhaps overlaying it with old photos each city/town/village/region, your attention might not go towards how heavy your eyelids are (especially at the very onset of such a terrific film).  I was surprised to see there were no opening credits during this time!  I don’t know why that was… but even a flash or brief flicker of an actor’s name might have woken me from the dreary and drab geography lesson.

Had Benicio not taken the role, Che might have been handed to Val Kilmer.  And had we a gringo playing such a legendary figure, we might just have had… I don’t know… Ben Affleck playing Camilo and even though he kinda looks like him if he grew a big, mangy beard, I would have had half a mind to start a revolution of my very own.

Hasta la victoria siempre!

*eventhough ‘Che’ was Marxist-Communist and was in fact ‘godless’ (when asked, Do you believe in God? Che answered, “I believe in mankind”) I don’t mean all godless communists in a bad way.  The whole “scum” at the end was meant to imply “the frothy goodness.”  Wait a minute, that’s “skim.”  Whatever.